“Listen to the tales as we all rationalize,
Our way into the arms of the savior.
Feigning all the trials and the tribulations.
None of us have actually been there,
Not like you…” – Tool
I’m a big fan of heavy metal music, and recently I noticed a repeating pattern on the album covers of three different metal albums from three separate bands. The theme was of a vaguely feminine figure drowning or diving into a body of water:
When a pattern like this emerges one can assume that occult communication is happening. A co-creative force is behind these bands, what James Bickford calls ‘the backseat Uber driver,’ using these artists as vessels for their own purpose.
If you ask Z, these occult forces or principalities – whether benefic or malefic – are coming from the cosmic Mother, the two sides of the Goddess. Sophia in white, and Samael the Demiurge, in black. This is the key that unlocks the Gnostic symbolism frequently employed by Hollywood dark wizardry and becomes like self-replicating memes across the culture. It serves to kill the anima in men and turn the sexes against each other and away from Source Creation, which is seen as dead, or as a cruel, unloving God.
“My one, when all is said and done
You’ll believe God is a woman” – Ariana Grande
In my research, the female is blamed for the fall because she represents matter and the male spirit. The fall is necessary for the spirit to differentiate its spirit atoms amongst matter, thus learning good and evil. So she held on, fearing the loss of Self, which became the fall. Their drama now unfolds in humanity, how the incarnated Souls (the Son) must become the bridegroom, restoring the lost love, which is the Event, the Singularity at the end of microcosmic time, the reunification of the purified Twin Souls.
And today’s parables are not just coming through Hollywood. This code is present in obscure Scandinavian metal bands; in the lyrics and album covers, in movies and shows both domestic and foreign, and in the daily news from CNN to Buzzfeed. How is it so prevalent? Is the Illuminati THAT organized? I once thought so, but now think that Sophia’s story is simply in the information field, in the Akashic record, if you will, and we are tapping into it, whether we know it or not. The dark forces know how to tap into the Demiurgic side, their Dark Lord, and become his mouthpiece, twisting the narrative, while those artists with integrity and innocence can tap into Sophia, and become her spout piece.
The data-field we are embedded in is the Dark Goddess Kali talking to herself, here at the end of the Iron Age. Picture a maiden shipwrecked by herself on a rocky crag, surrounded by miles of ocean, howling to the moon. Slowly going insane. Waiting for the Christ, the principle of Atonement or At-One-Ment, to restore the path back to Source. (Note that sometimes the gender roles are reversed).
Let’s take a look at this drowning motif, which I’ve discussed before. We saw it in the previous post analyzing the highly esoteric film ‘The Prestige,’ where a woman drowns in a dangerous magic trick gone wrong.
We saw drowning in the show ‘The OA,‘ as a way to cross to parallel universes, a dimensional gateway. We know it was a calling card to how they program people in MK Ultra, to cause near-death-experiences (ala Arizona Wilder).
This was also depicted in the Bourne movies. Jason Bourne was an MK Ultra programmed black assassin. They would dunk his head underwater to trigger his alter.
And in Stranger Things, when the character Eleven goes to her void, or does her remote viewing, there is always water on the ground, or some type of water/drowning/transitional gateway:
And it’s funny that they call her ‘El,’ for short. El is a Hebrew name for God.
“Boast about the day when the rivers overrun,
How we rise to the height of our halo.” – Tool
We know that water is symbolic of emotion, and of spirit, and Youtuber Holographic Multiverse says that the biblical flood is spirit washing away the artificial matrix, as like a cosmic reset. Water has this dual nature: it cleanses the filth, but it can also be deadly and turbulent in its own right. It can kill.
So we know that Mom is in trouble, and thus so are we, due to as above so below, but why is this so often depicted by drowning specifically?
Revelation 12:15-16 “And the serpent poured water like a river out of his mouth after the woman, so that he might cause her to be swept away with the flood. 16 But the earth helped the woman, and the earth opened its mouth and drank up the river which the dragon poured out of his mouth.”
The female is drowning in spirit. The Son who is one with the Father needs to dive down there, into her insanity, and rescue her, revive her.
“Boast about the day when the rivers overrun,
How we rise to the height of our halo….
….It’s time for you to bring me home” – Tool
But Bob Schlenker has also shown how in the occult symbol language water is a symbol of time. Why is water representing time? Bob writes, “The first non-celestial timepieces were water clocks. The flow of time was measured by the flow of water.(SOURCE)“
(Wikipedia): “Water clocks, along with sundials, are likely to be the oldest time-measuring instruments, with the only exceptions being the vertical gnomon and the day-counting tally stick. Where and when they were first invented is not known, and given their great antiquity it may never be. The bowl-shaped outflow is the simplest form of a water clock and is known to have existed in Babylon and in Egypt around the 16th century BC.”
So if water is time, then what is drowning? It is drowning into the abysses of seemingly endless time, of the looped nightmares in the astral realm, as the karmic residue of the soul seeks purification and elimination, before the Twin Souls can be restored. However if the drowning is too severe, that Holy Marriage process fails, and the Divine Ego or Spirit Atom that gave those twin souls birth (the splitting of the Atom) returns to Heaven to await a new Solar Cycle (See Burgoyne’s Light of Egypt).
More Album Covers
Tv show ‘Stitchers:’
Time being stitched together, like a tapestry.
Bob writes, “The letter T is sliced through leaving most of it intact. It’s separated off with the letter S. STi ~ S -pace – Ti -me. The ST signals, Space-Time.”
In two words I could sum up what all this imagery, lyrics, movie plot themes are pointing to, its the Mother saying, “Help me.” But as Z has pointed out, she does it in a typically feminine way, through games and riddles, making us read between the lines, testing the man, to see if he is really alpha, to see if he can be assertive without her having to explicitly spell out her needs. Therefore even though she, and through her all women, are the topic, they aren’t the issue. The issue is with men, who need to grow a pair and assert themselves, and not fall victim to her games, to the mind control.
This process is played out in each man as his anima, speaking indirectly to him through his unconscious, dreams, feelings, intuition. When he ignores this part of him he disconnects from his own immortality and starts to decay. This is what has happened on the large scale. It has been shrouded in the ‘feminist movement’ but this leads, as we see to something more sinister, the Illuminati run neo-feminist movement, the gender bending, transhumanism, and eventually eugenics, getting the herd to cull itself. It’s already happening, birth rates are lower than they have ever been. Women are brainwashed to be ‘independent’ and not need men, and men are placated, by football, beer, cannabis and pornography, pacified and turned into women. Testosterone is suppressed and estrogen is promoted. Made to trust our government, to authority figures. Made to believe in science and that the news is real. Rebels are quashed, silenced, relegated to the fringes of ‘conspiranoid culture;’ the herding of the second farm.
“Mother should I trust the government?” – Pink Floyd.