Pizzagate Riddles in Pop Media: The Magicians, Katy Perry, E.T.

For Bob and Aaron.

Warning: Disturbing content.

Observation: Time resets/loops/travel/manipulation movies or shows are often paired to ritual sodomy signaling codes. If you don’t know what I am talking about, please read this post first.

Aug writes, “Everything revolves around the basic idea that this entire universe, every aspect of it, can be produced through advanced technology and a living body. Once the two are in sync, an entire simulated realm, the experiences within can be recreated.”


Bob Schlenker (Open Scroll Blog) speaking about MK Ultra programmed victims: “They are helpless victims. Their supernatural abilities are exploited by their programmers and handlers – witches, sorcerers, wizards, (who) manipulate our reality through their ritual spell work…our reality is being changed through the manipulation of time. Those responsibilities for it are leveraging the abilities of programmed individuals, enhanced by various technologies. The sovereign God has allowed this up to a certain limit, then no more. (SOURCE)


Working Hypothesis: Dark forces kidnap psychically gifted children (like in The Institute), and rape them while the child is hooked up to advanced machinery capable of projecting reality. We find ourselves in such a fallen realm being projected thusly (at least, temporarily).

Pizzagate is about so much more than a pedophile ring operating out of a pizza joint/ping pong parlour in Washington DC. It is that too, but this is a front for something deeper that affects the very metaphysics of our realm and the controllers who operate it.

“Pizza Esoterica” as Bob coined it, goes back a lot further than Pizzagate. In this post we will see the same codes in E.T. which came out in 1982. There is thus no linear way into this study, no true beginning. But to do our best, let’s start with Aleister Crowley’s Book of Lies. Bob has diligently shown a connection between a particular chapter in this book, and many of the media productions of late. For some reason this chapter is being used as a blueprint. I will post it here in its entirety.

It is a chapter about destroying the ego through occult means as a way of merging with the absolute. Whether Crowley meant for it to become an excuse for all kinds of sick perversions (perhaps due to the line “acquire a taste for what is naturally repugnant”), I can only guess.

But notice the line, “witness the tremendous but transitory vogue of ping pong and diabolo. Those games in which perfection is impossible never cease to attract.”

We are going to see how ping pong gets connected again and again to pizza imagery and through this subtle coded language, leads to pedophilia, coprophagia, and the dark energies that result from these practices, especially in a ritualistic, orgiastic setting.

Even the mainstream is aware that the infamous Comet Pizza Parlour also hosted ping pong tables. Here is where this pattern begins to emerge. Note that the other game Crowley mentions is “diabolo” which is the name of the devil, or Pan.

Comet Ping Pong – implicated in child trafficking involving members of the elite including Clintons, Podestas, Obama, etc.

Looks like more bleeding from the eyes, like the Horus Eye which is the third eye but in the dark occult sodomite club the third eye is the anus. There is also some vaginal diamond imagery near the pizza. The pizza sauce looks more like blood splatter.

Katy Perry wore a similar patterned dress to the comet poster above, at the Superbowl halftime show. She is swimming with sharks. Crowley writes, in that same chapter, Buttons and Rosettes,
“Be thou more greedy than the shark, more full of yearning than the wind among the pines.” Is that a pine tree behind her? Pines…pineal.

In The Magicians, season 5 episode 6, we see Eliot’s shirt has buttons and a wall painting of roses behind him. Buttons and Rosettes:

What caught Bob’s attention was that the episode is about time loops (which, remember, often pairs with ritual sodomy).

Eliot says, “That’s how we do” which adds a layer of connection to Katy Perry’s song “This is How We Do” which as we’ll see momentarily carries much of the same symbolism riffing off of buttons and rosettes, pizza, ping pong, etc. Playing off the themes of Crowley’s chapter, Eliot here is proposing some “unbridled hedonism” in the form of drinking and partying. Eliot is also gay. That is how they do.

The episode opens with Josh taking a pizza out of the oven:

The plot of this episode is that the time loops are repeating in the final 12 hours before the apocalypse, after magic went bad and broke the moon.

She can’t stop the apocalypse, because the meta-math (mm 33) is too complicated.
And then Josh sneezes on the pizza:

Establishing a connection between body fluids and pizza.

With pizza specifically, the sauce is the anal bleeding from rough sodomy, the cheese is the semen, and the sausage/pepperoni are phallic.

And in these Satanic forms of spirit cooking, any and all body fluids are combined to make “cakes of light” which is what Katy refers to in the line, “slow cooking pancakes for my boy”

Sipping on Rosé, Silverlake sun, coming up all lazy (this is how we do)
Slow cooking pancakes for my boy, still up, still fresh, she’s a Daisy

Playing ping pong all night long, everything’s all neon and hazy

”This is How We Do” lyrics, Katy Perry

Diabolo, Satan, a “medieval blind for Pan” the goat god, and reason for this scene in a different Magicians episode:

The goat god of Fillory wants little cakes, as in pancakes. Also a reference to the cakes of light used in magick ritual to invoke spirits (spirit cooking). Pizza is also baked on a pan.

Let’s look at the music video for “This Is How We Do” (as in “doo-doo,”) to see how they make their “cakes of light.”

The pizza slice (representing the child victim) walks across the set collecting body excretions from each of the characters. We see the cup of mysterious brown liquid sloshing near the ice cream sandwhich’s eye (brown eye – anus, poop).


The pizza victim is now being symbolically pooped on by Katy herself.

Finally the pizza collects fluids from the twerking ice cream cone and then what looks like a sneezing ice cream sandwich. In these Satanic rituals, the more fluids the better, any kind of secretion works, the more the merrier. The triple ice cream cone is making the hand motion of jerking off. His other hand is hidden (hidden hand: HH-88) behind him, suggesting he is doing something with his butt. The green ice cream scoop in between his two eyes is where the third eye would be, but there is no eye, thus it suggests, once again, the hidden eye.

It is necessary, unfortunately, dear reader, to go into all these details in order to debunk what many will regard as coincidence or simply drawing paranoid conclusions that aren’t there. One or two of these things could be cast off as coincidence, but the devil is in the details, or in how they layer them one on top of another.

Ice cream is code for poop (soft serve) and an ice cream sandwich has got a stick up its butt, a woody.

Katy underwater in her pizza bathing suit and matching earrings, the fish harken back to the line, “Be thou more greedy than the shark.”

As well, remember one of the wikileaks photos was Podesta with the fish and 14:

Below the tray of pancakes, we see a pineapple (pineal), the other fruit arranged to look like penis and testes.

Ping pong, back and forth, the rhythm gaining intensity like an occult ritual. Gay men can either throw or catch, give or receive, sexually speaking. When we review the pizza scene from E.T. we will see the boy playing catch with the alien.

Chanel x 2 = CC, 33.
Black light, misting wet (Mistinguitte, see Crowley’s commentary), body fluids being sprayed, like Josh sneezing on the pizza. Ping pong, back and forth, catch and throw. Black lights are used to reveal hidden body fluids at crime scenes.

In that same time loop episode of the Magicians, the time techie asks Eliot and Margot “Were you spritzed with something?”

And notice the technician spots the fluids through his brown-eye filter.


“Something that caused –


Misted with body fluids, the psychic slave children (pizza) project our reality thus controlling time (temporal permanence).

“Everything that is happening now is part of a process of breaking a temporal, artificial intelligence hold on humanity which creates the same repeating loop of destruction that resets time to an earlier period,” writes Aug Tellez.

Only Margot and Eliot (who were sprayed) know that the world is stuck in a repeating time loop. Thus only they can save the world. Resonance with films GroundHog’s Day, and Edge of Tomorrow (and others).

Now I am not saying necessary that I believe wholeheartedly what Aug is saying, but I do see his material as a rare glimpse behind everything that happens on the main stage in world events and throughout Hollyweird and Celebrity culture. Time resets and ritual sodomy are very important to the elite. Through these decodes we can reverse engineer, so to speak, what is really happening, what they aren’t telling us but put so much work into hiding in easter egg format throughout their films and shows. People need to understand that Hollywood was created for this sole purpose. NOT to entertain, although it does harness the energy from the masses who ARE entertained and under their mind control spell or trance.

It is the Beast System and most people unconsciously go along with it. That isn’t to pass judgement, they are afraid to leave the mass mind and afraid of the implications of accepting all these horrors as true.<But they would rather accept other horrors like viruses and climate change and comets…> People like me have no choice, we’ve seen it, and it can’t be unseen. We cannot go back into the Matrix and eat that Matrix steak, we know it’s fake.

In Spielberg’s E.T., the famous scene where the boy (who is also Eliot), sees E.T. for the first time, he is tasked with ordering and picking up the pizza from the delivery man.

Pizza box in hand, walking back to the house, the spotlight above his head seems deliberately placed.

This is the child whose third eye is going to be forcibly “illumined,” becoming an Illuminati.

Then he hears something rattling in the shed in his backyard. He yells, “Harvey, is that you boy?” Thinking its his dog. So he evokes Sirius, the dog star here, and in this context, Sirius is Set, Satan, following the alien/demon/devil symbology.

Then he walks past a ping pong table!

Meanwhile his brother is playing D&D in the house with his buddies, one of whom plays a nasty prank on their mom, who is obliviously doing the dishes:

He points to her butt, while Eliot carries in the pizza, establishing a connection between butts and pizzas. (By the way I remember this scene when watching as a kid, and thinking it seemed out of place in a kid’s movie, now we know the full story).

Eliot goes to check out the noise in the shed (which functions as a butt like the mailbox or male box in The Lake House, about a wormhole in time), putting the pizza box on the grASS.

We see a sliver of a moon in the night sky, shining like devil horns. The dark Goddess is being evoked, Mother of Set.

The pizza box is square, the pizza itself is round, that’s squaring the circle. So too are the dynamics of baseball.

He throws the baseball in the shed, and moments later the ET throws it back.

Catching and throwing (like ping pong, back and forth) alluding to giving or receiving with gay sex, and also to the increasing resonance as the sex magick ritual gains intensity, like sound reverberating in an echo chamber. E.T. is the demon or dark spirit that can be attached to the child victim via sodomy/rape/trauma/MK Ultra procedures.

The boy is so frightened that he smushes the pizza box, slipping on the wet grASS, falling on his ASS.

Cornfields in the distance, Saturn is the God of the harvest, the corn god, ruler of Capri-corn, who is the goat, the horned one (Pan), like the horned sliver of the moon.

His mom and brother and his friends come out to see what the fuss is all about. The flashlight lingers inadvertently on the boy’s genital region:

“Who said you guys could order pizza?” the mother accuses.

Posted in Aug Tellez, Black Ops, Bob Schlenker, Gematria, Hollywood Disclosure, Illuminati, MK Ultra Mind Control, New World Order, Numerology, Occult, Pedophilia, Predictive Programming, Satanic Ritual Abuse, Satanism, Time Portals, Uncategorized | Tagged , , , , , , | 7 Comments

Decoding the Netflix Series “Sweet Tooth” (2021)

Background Info

So we are talking about magical rituals to harness the powers of animals. (Not black or white magic, just magic, neutral, until used for good or ill by the adept. Please keep this in mind at all times, that magic and occult can be used for great spiritual attainment, but what we are going to witness in these shows is a very grotesque skewing of the symbols). In my recent video decode of the show Shadow and Bone we saw how they hide knowledge of these rituals in plain sight; specifically with the attaching of animal bones to the human vessel:

 

Note the stag antlers attached to her collarbone. Now she can harness the stag’s powers. Ken Grant says that the ancient Egyptians symbolized the harnessing of said powers as the Dog of Set (Sirius) and also the Ape of Thoth (who was a moon God):

Grant writes, in “Aleister Crowley and the Hidden God”

The ape typifying the link between man and beast. So now let’s get into the show about human-animal hybrids.

Sweet Tooth – Episode 4, entitled “Secret Sauce”

The show is brought to you by Warner Brothers (they’re warnin’ ya’!)

Code 33

There are a few Code 33‘s hidden in the next shot as well, if you can spot them:

Sweet ToothS.T. Space time rituals. Tooth – Thoth, the Ape of Thoth as glyph for this form of magic (through the Daath portal into the abyss of space, outside of linear time)

Kids with animal costumes:

The leader of which rescues the boy, nicknamed Sweet Tooth, he is a human-animal hybrid of deer form (UNGulate [ANG], like the stag [see Shadow and Bone], he is our poor MK Ultra victim, the sacrificial goat, scapegoat)

She has brown smearing around her eyes, brown eye  = anus (ritual sodomy).

She says “Delta procedures.” An MK Uktra “Delta” alter is programmed to commit suicide (see Fritz Springmeier’s work). And now we have the fake COVID “Delta Variant.”

The group lives in an abandoned funhouse. They enter through the serpent’s mouth, and like Alice going down the rabbit hole, we enter a trance state, brought on by MK Ultra techniques:

Sweet Tooth is led through a hallway with colorful drawings on the wall

The goat (Pan):

They follow the white rabbit:

The bright, rave-like colors evokes the trance state of the programmed multiple.

Ape of Thoth with dog head because the Dog of Set (Sirius) is also a symbol for the fall through Daath. And sure enough right after the orangutang shot we see the jackal:

The group leader tells the boy,

She’s the leader of the A.A. (perhaps a nod to Crowley’s inner order by the same name)

A = 1 in gematria, thus AA is 11 – the number of MagicK. (K is the 11th letter)

The hybrid boy is treated as a royal guest, offered soda and candy:

They put a crown on the boys head. That is the crown chakra that gets illuminated during ritual sodomy of children MK Ultra victims. If it is before the age of 5, they have a premature kundalini awakening. That is why the crown is tilted, it’s a perversion of the natural awakening process.

In tarot the tilted crown represents the false ego, built up by the world of appearances (tower of babel).

See how the occult gets criss-crossed with black government projects like MK ULTRA? Their point of intersection = Satanism, or SRA (Satanic Ritual Abuse).

Now, the boy says that he used to eat syrup which is how he got the nickname “Sweet Tooth.” But of course syrup comes from the sap of a pine tree (pineal gland, where adrenochrome is harvested).

The AA offers him sour gummy worms:

The lightning of The Tower card, knocking off the false crown. The lightning flash of Qabalah (from Kether the Crown, down to Malkuth at the bottom)

But the lightning is also the kundalini serpent energy traveling up the spine, (in this case, forcibly, through anal rape). The anus being the “GATE:”

The very next scene they are playing bumper cars. “Bumper” is slang for the rear end.

Notice the ONE WAY sign pointing left, the left-hand path.

They sit in their bumper cars and watch Warner Brother’s cartoons, “Merrie Melodies” – MM = 33. The logo being inside a red portal or anus or trans-dimensional gateway into the abyss of Daath.

Keep in mind this is all within the first 15 minutes of a single episode. Netflix, Hollywood, etc. is completely SATURATED with this stuff, but you only see it when the cover spells are removed, through symbol recognition, and knowledge of the occult. Once you learn their codes, you can’t unsee it. It’s all a perversion of the holy inner mysteries, of White Tantra, and literally smearing it with feces and butt jokes and references to pedophilia. If you are new, I’m sorry to have to be the one to tell you this.

The scene switches and we follow the character Dr. Singh. He is trying to create a vaccine for the killer virus that wiped out most of the population in this post-apocalyptic scenario. (More germ theory [hoax] conditioning, and apparently they started filming this right before COVID hit. Uh huh, sure. Just a coincidence).

He goes to the “Medical Center” (M.C. – 33, tilt the M sideways and C is the 3rd letter.)

The number ‘33’ by the way, is graphically a bird’s-eye-view of butt sex. It’s also the 33 vertebrae of the spine, which channel the ‘lightning flash’ of the serpent energy.

When I saw him go into the MC 33 building, I said to myself, “uh oh, something big is coming…”

Sure enough, they really spill the beans with the next bit. Inside the lab he reads the journal of the scientist whose work he is to continue. The viral antidote comes from:

The pineal gland secretions form the “secret sauce” which sounds like something out of Pizzagate and is also S.S. = 88, Code 88, signaling time/space dimensional transiting, because the abyss through Daath and its demon inhabitants exists outside of our linear timeline.

If you look closely at the journal sketch above, one picture shows them drilling into the skull to reach the pineal, but in the sketch on the right, we see them drilling through the eye socket, which may be how they really harvest their adrenochrome, and one possible answer as to why we see the One Eye Bleeding so much in Hollywood (not to mention all the politicians and celebrities with black eyes.)

I’ll leave that there. Check out the show, it will knock your socks off once you know what to look for. But there are many shows and movies like this, riddled with NLP and spells. Put on your armour of righteousness, and know that this material needs to be brought into the light if it is to be dispelled, once and for all. Demons can only function in the shadows.

(See more of the same) Occult Secrets in Shadow And Bone (2021):

Posted in Egyptology, Esoteric Symbolism, Gematria, Hollywood Disclosure, Illuminati, Kenneth Grant, MK Ultra Mind Control, Occult, Pedophilia, Predictive Programming, Qabalah | 10 Comments

Kali, Kala, Death, Daath and the Deserts of Set

On my evening dogwalk a book came to me. ‘Shakti Mantras,’ it was called – found it in a pile of free stuff on the sidewalk. I resumed my walk, flipped to a random page and found a passage on the Goddess Kali which read 

“There is a long standing play on words concerning Kali and “time” which in Sanskrit is kala. The saying in the far is East is ‘nothing is as ruthless as kala except Kali.’ Time devours all, but that which consumes even kala is Kali, for she is the infinite receiver of all. The inky black look of Kali is the inky blackness of the void. In the cosmos, Kali is she whom all the energy of the universe returns, devoid of form, aspect or object. Kali is the void of the cosmos that gives birth to the next Maha Kalpa, or great cycle of another universe.” 

Kala means time, Kali is black, the abyss of timeless space. She swallows the universe at the end of each cosmic cycle, thus she is destructive and “evil” to those who can’t see her true beneficent function (as a decomposer, like the fungi). All forms dissolve in time to the final sleep at the end of each cycle, which was what I had just written about in my previous post.

This was not the first time a book or video or blog post synchronistically fell in my lap that was precisely the missing piece of a puzzle in a current line of research. God is good – Blessed Be He. 

And lately I have been reading in Ken Grant’s work (protege of Crowley) about the 16 kalas, (which he said is where we get the word, color), which are how we contact the Daath portal, the 11th hidden sephira. Daath exists outside time, in a dimension removed from the Kalpas, the great cycles, if you will. This abyss thus has its own rules and grammar but is generally chaotic. Daath is the dark portal leading to these “tunnels of Set” and the Qlipoth (shells, shades) in the back of the Tree of Life. “Daath” is probably where we get the word death. 

The gate to this abyss, runs through the path of Gimel on the tree, which is the camel, a desert animal who spans the deserts of Set (abyss):

This is the path of the High Priestess, and she is the subconscious mind, as opposed to The Magician who is the waking mind. This shows where Daath resides (as forgotten mental residue). Grant writes,

The Eye of Horus which is dripping or bleeding could be hinting at this “occult eye” the menstruating vagina.

The menstruation is symbolic of the break in the cycle of creation, the bleeding only being a result of the lack of the creative male seed. The blood red color connecting also to the color of the setting sun (Set) as it dies in the underworld.

The moon of course is tied to the female monthly (moonthly) cycle. The lunar eclipse forms a corona (crown), like an eye.

When the baby’s head shows during birth it is crowning.

The female aspect of the Godhead in Qabalah is Binah, the third sephira and its ruling planet is Saturn (Chronus, time, devouring his children). It’s color is black.

This is where we get the black cube of Saturn, (denoting infinite space, abyss)

The abyss of the hidden 11th sephira, Daath, leads to the back of the tree, where reside the 6 Qlipoth, plus Daath, for 7 deadly sins. But since Daath is a pseudo-sephira, not really counted, we have 10 sephira and the six Qlipoth or shells for a total of 16, which corresponds to the 16 kalas as described by Grant. This number is important for its correspondence to once again the female ovulation cycle and by its extension the lunar cycle. 

But returning to the 7 shells or shades or Qlipoth on the dark side of the tree, of which Daath is the opening or aperture into, we see in Revelation that the “Scarlet Woman” rides the 7 headed dragon, the beast. She is also a type for Kali, her scarlet color being the menstrual blood but also the setting sun (Set) slaying Horus, going into the night, the underworld. Whether she is black (in Egypt that is Nuit, where we get the word Night, Not, Naught, etc.) or red, the symbolism points to the same. 

Osiris being a black god was a later gender role reversal when the masculine Osirian cult replaced the earlier feminine Typhonian tradition of the Black Goddess Nuit (in the East, Kali). Nuit’s concort was the male Hadit. Osiris then becoming the Greek Chronus or the Roman Saturn.

Saturn who was black as the abyss became Satan, a red bull, El Diablo. He/She is also typed as the androgynous Baphomet with a goat head. Goats and bulls are UNGulates, which is the same root as ANG, as in angel or angle or light. White light refracts into the 7 angles or colors (kalas). And light (Hadit) can only shine into a void or black abyss (Nuit).

So we have a universe of color and time when pure white light (Christ) was bent into 7 primary angles or angels, with 12 altogether (his disciples). In astrology this pattern manifests as the 7 interior planets and 12 signs of the Zodiac (angles of 30 degree increments away from the ecliptic or HORizon [Horus]). In music it is the 7 major notes (white keys only on piano) and 12 notes in a full scale (white and black keys).

Touching on why we see so many UNGulates (ANG) in the Zodiac, the bull, the ram or lamb, the horse and the goat – an ungulate is an animal with cloven hoofs, like the cleft (vagina) of the Divine Mother (abyss, Binah, Saturn, Daath, Nuit, Kali) birthing  the universe, the Son; the noumenal producing the phenomenal, through time (Sanskrit – kala). This is the occult formula 0=2 which Crowley dilates on.

The cloven hoof or cleft shows up in music as the clef, again the notes of the scale. To cleave is to open, but also means its opposite, to stick two things together. St. Matthew writes,

For this cause shall a man leave father and mother and shall cleave to his wife, and the two shall be one flesh’

-Mathew 19:5.(KJV)

From the cleft or vagina or vesica piscis we can derive the fish shape which we expounded HERE. The fish is the glyph for the letter Nun, which is assigned to the Tarot Key Death (Daath). But death is wrapped up in the Scorpio sexual energy as the fish is symbolic of fecundity.

From the zero, the No-thing, the Naught (Nuit), we get the two – subject and object. This dualism is, in the last analysis an illusion, as there is no such separation, which is why Kali becomes, Maya, a veil, an evil, hiding the truth. She became Satan, in its Qabalistic sense of an obstacle to wisdom and knowledge, to union with God.

The 16th Hebrew letter Ayin, which is the glyph of the eye, holds all this symbolism as well.  It associates with the 15th Tarot Key the Devil, (who looks like Baphomet) for all the reasons stated above.

The Hebrew word Ain means nothing, or void. It is the eye of the Abyss, through which the portal is Daath (Death), the 11th “hidden “ sephira. The 11th letter in English is K, like Kali and Kala, perhaps, Grant says that this is why Crowley attached the letter K at the end of “MagicK.” 11 as the lopsidedness that follows the perfection of 10, and begins a new cycle of numbers, is thus the magicKal energy that evokes Set through Daath, and the creatures or demons of the abyss, the “Dwellers of the Threshold.”

These Typhonian monsters are described in HP Lovecraft stories, and in various myths around the world. Since Daath exists outside of time or kala, it is a holding place for the darker pre-human creations, failed experiments devoid of life and light and intelligence. But they are necessary to counterbalance the light, the Day side of the Tree. The “Nightside of Eden,” as Grant calls it, or dark side of the Tree, with its Qlipoth actually serve a benevolent function for the whole, just as light cannot shine without dark.

It is my understanding that Daath also serves as a reservoir of repressed subconscious material in the collective unconscious of man. That in each cycle whatever idea forms are not digested, almost like ghosts, hang around in the abyss of Daath until the end of a cycle in which all forms are absorbed back into the All, the Source, or the Ain, or No-thing, the Ineffable. This state of pure Subjectivity in between cycles or Maha Kalpas can be imaged as dreamless sleep.

But in the meantime these dark and twisted forms, while devoid of life, can, like dust bunnies in the wind, take on the appearance of sentience, and when called on by the magician, invoked through ceremonial ritual magick, do actual work in our world. This can be used for good or ill, just as electricity, being neutral, can turn on a light or electrocute you, depending on how you use it. 

When an adept attempts to contact these forces for ill uses of the lower ego, he goes mad and reverts almost to that of an animal. Then his soul is lost to the deserts of Set for the rest of the aeonial cycle, and he becomes part of the Black Brotherhood. But an adept using these same primal animal powers can harness them for good as well. This is the whole secret of initiation and why this stuff is kept behind veils.

Now it is for the reason of magickal contact with primal animal forces that two Egyptian symbols for Daath and the abyss were the Ape of Thoth (Thoth was a moon God, whose name rhymes with Daath), and the Dog of Set, who is thus equivalent to Sirius, the Dog Star, another pattern I have been unfolding in my post Orion and His Dog

Grant writes,

It is significant that the film 12 Monkeys was all about time travel, linking to the themes above.

Perhaps the most fascinating aspect of all this is that these symbols and powers never went away but are here and active now, clearly, through Hollywood and the like. It is almost as if all the coded occult media productions are sourced from this timeless space of Daath, this dark portal. Inside is a vast information singularity that the dark forces are using as their A.I. God, telling them what to do. The episode of Southpark “Cartoon Wars” with the manatees cryptically shows this. The episode pokes fun of ‘Family Guy’ by divulging how they script their shows. They have a giant tank of manatees who swim around and occasionally pluck a colored ball with a word or two on it, usually a reference to pop culture. In this way, the show writers string together a few words as the outline to their script.

I am suggesting that this is how the elite run the show on Earth, but instead of manatees they use the Typhonian beasts of the void, which they contact through the portal of Daath, and instead of colored balls with words on them they use artificial intelligence databases, programmed to run algorithms of control and propaganda, propped up by energy harnessed from subconscious patterns in the collective mind (occult symbolism, numerology), as well as cosmically relevant times in astrology such as eclipses and major conjunctions, etc.

I first caught wind to how the elite may be slipping in Daath symbolism into their productions when Jason Bickford pointed out that in Fear and Loathing in Las Vegas when Hunter S Thompson wakes up after his mind bending adrenochrome trip he has a book open on his lap called The Death Ship.

That is the “Daath Ship,” because the entry through that dark portal in ceremonial sex magick involves imbibing certain glandular secretions. The drug adrenochrome harvested from a pineal gland is poking fun or alluding to this. The drug drives Thompson mad, in that scene, because madness is a risk with playing with these energies. But again, ‘adrenochrome’ would be the crude black magick form of White Tantra, as practiced by the ancient Oriental adepts, these rituals were done in order to gain contact with Higher Beings and return with high wisdom and knowledge to uplift mankind. It is of this form that Grant says Crowley was basing his rituals on, and I am beginning to think that Crowley may just be the most misunderstood character of the last century. It is mostly those prudish literalist Christians attacking him – but they cannot begin to conceive of ANY occult or esoteric material without running the other way screaming, “devil! Witchcraft!” And yet they are the most repressed, their subconscious minds are the ones overrun with demons, because they allow for no proper outlet.

So was Crowley pushing Satanic, pedophilic, blood lust and vampirism, as his detractors maintain? Its possible, but I have yet to see really damning evidence for it. He was certainly using body fluids in his rituals, but that does not equate him necessarily with the group that is harvesting adrenochrome and making pizza and murdering children (because we know that this definitely exists, see: the CRIME).

Things aren’t so black and white (Binah and Kether), and if this indeed is the new Aeon of Horus (the Son, Tiphareth), than we are going to see a lot more gray. To conquer Daath and the Qlipothic realms the adept must transcend these lusts and perversions by swimming amongst them, swimming with the sharks, to survive you must become a shark yourself. This may all that Crowley meant when he spoke of “developing a taste for the repugnant.”

Further reading:

Is the “Daath Ship” a subtle reference to the Philadelphia Experiment (a naval ship that was supposedly sent through a wormhole and disappeared)? Whistleblower ‘Sol Mason’ spoke of this.

For more of Kali ritualism in Hollywood, see Beyonce and Johnny Depp (as the Mad Hatter) do the Kali Death Dance on 7/11 I mean 9/11!

Eye of Horus Bleeding in Popular Media

Ken Grant points to the paintings of adept Salvador Dali as suggestive of this material (dark portals/tunnels):

“Accomodation of Desire”

…where time melts away:

Posted in Astrotheology, Bible Codes, Egyptology, Esoteric Symbolism, Hermetics, Hollywood Disclosure, Illuminati, Numerology, Occult, Qabalah, Satanism, Secret Societies, Spirituality and Metaphysics, Time Portals | Tagged , , | 7 Comments

The Biggest Psyops are Twisted Forms of Qabalistic Teachings

Heliocentric Cosmology

The sun in the center of the solar system hoax is likely pulled from the Tree of Life diagram above. In Qabalah, each sephiroth has a ruling planet. Notice how the sixth sephiroth, Tiphareth is ruled by the sun, and is in the middle, with all the other sephiroth “orbiting” it if you will. The pun of son/sun is very much at play here too. Tiphareth, which translates as “Beauty” is not only the sphere of the sun but also the Son of the Father, found in number 1, Kether directly above it. Earth and the physical vessel of the body is Malkuth (10), at the base of the tree. Thus the mediating force between pure spirit (Father) and matter (Malkuth) is the Ever-Coming-Son or Tiphareth. The beauty is in all the individuated forms that the souls grow for themselves through advancement up the tree. The Path of Return in occult training begins at the bottom of the tree and works its way back up. 

Clever sorcerers used this formula and distorted it into the materialistic, heliocentric model put forth by Copernicus. One can almost hear them scheme, “If we put the sun in the middle, than the Earth and Man appear insignificant, off center-stage…

The Ever-Expanding Universe

The mainstream model of “science” then puts forth that the universe is ever expanding. Qabalah teaches this too but also adds that there is an equal and opposite contracting force. Frater Achad writes of the Ain Soph Aur, the invisible, limitless light of God:

“This Pure Being, or Living Substance, owing to its reaction from the Invisible Center, tends to expand towards Infinity. This gives us the idea of the Substance of the Universe ever expanding, ever occupying more and more of the Limitless Space of the Ain SUPH, while the Primal Centralizing Urge still continues to contract upon the Infinitely Small, or the Ain. Kether is then the junction of these Two Infinites, but particularly represents the concentration of the Light to a Point on its way to the Infinitely Small, while Malkuth, the Tenth Sephira and Sphere of the Elements—which the Qabalists say is one with Kether—is the Substance which is ever expanding and, so to speak, gradually FILLING UP The NOTHINGNESS of the Ain SUPH. So we may consider Kether as the Light and Malkuth as the Substance, while the complete Sphere is composed of LIVING SUBSTANCE. This represents the Macrocosmic Universe, but it is every BECOMING GREATER And Greater in extent, and driving back, so to speak, the Nothingness of Chaos. Man, being made in the Image and Likeness of God and of the Universe, has the same infinite possibilities of growth in Consciousness, as the Force of the Spirit extends the substance of his mind to wider and wider fields of thought.”

– “The Anatomy Of The Body Of God,” by Frater Achad, (pg. 13)

By leaving out the contracting force, (in Hinduism that is the In-breath of Brahman) we are left with a horrid idea that the universe is ever expanding into cold, lifeless empty space and is thus winding down, like an old rusty clock, into eventual heat-death and total annihilation. But with the contracting force, we see that the universe is following the Hermetic principle of rhythm, eternally breathing in and out. Nothing is therefore lost or too far removed from the central singularity point of the Most High, the “Ain,” which is hebrew for the No-thing, because they were careful not to attach imagery or verbage to that which is Nameless and Ineffable.

Eventual heat death or the total destruction of the known universe is itself taught by not just Qabalah but in all mystery schools east to west. The Hindus traced long cycles of time as well as the egyptians and mayans, and what becomes clear is that the great cycle does indeed “end” with the total annihilation of all the forms that make up the material world. But this is not an “end” but just the Life Power or Ruach Elohim, literally the fiery breath of God, going from its active phase to its latent phase. Each cycle ends, according to occultist T.H. Burgoyne, in the following way: 

“the 7 great cycles and the 7 Nirvanas together constitute the eighth, and produce the sleep of death. Our sphere will then have completed the period of child bearing; old age has gradually settled upon her; she has born 7 sons, and now sinks into the eighth period-sleep-the sleep of death and complete annihilation. Cohesion loosens its hold upon the molecules, and atom by atom the planet’s particles are disintegrated and dispersed into space. The great solar sleep, or Nirvana, takes place and our sun ceases to be active for a period of 127,008,000 years, viz., a complete evolutionary cycle; and it is only when the first warm breath of new spiritual life pulsates through the spaces of Aeth that a recreation of the planetary chains commences anew. The disintegrated atoms of former worlds are reconstructed with new cosmic matter and once more evolution; but upon a higher plane; begins its almost ceaseless round.”

– “The Light of Egypt” by TH Burgoyne

But of course, the dogmatic, atheist materialist pseudo-scientists propping up the theory of the winding down of the universe to an eventual entropic heat death is again leaving out the other half of the equation, the balancing force. In this case they are leaving out the cyclical nature of birth and destruction. This disregard of the in-breath in favor of an endless out-breath has caused endless anxiety and existential angst; because it builds a nihilistic view of things if the universe and all its inhabitants are drifting further and further from Source towards oblivion and chaos.

Recapulation Theory, Early Pre-Human Stages of the Life Wave

Darwin and his Royal Society funders and backers introduced into science the notion of “recapitulation,” where higher lifeforms carry within them a record of their evolution from primal ancestors. This is why for example, a human embryo , early on resembles a fish, then a lower mammal and then starts to resemble a human.

This is a half-truth that they used as evidence for evolution or descent with modification through natural selection. Even though Hackel’s drawings proved to be a fraud, there is some truth to this theory, he just exaggerated it to suit his master’s sinister ends. But for example just looking at the human brain we indeed have a reptile primal brain, a mammalian brain and then a unique-to-humans neocortex, tracing the line of “descent.”

But the point isn’t to disprove Darwin which we already covered HERE, (spoiler: all his evidence, like the Globe Earth is shown to be more frauds and hoaxes) but rather to show how he didn’t come up with anything new or unique, but was drafting and twisting old Qabalistic ideas to suit his needs and the needs of the elite, namely to wipe out any evidence of the Creator from the mass mind. Because to invite random evolution as espoused by modern science today is to trick the gullible into not needing a Creator – life is a toss of the dice, a mutation, an accident. 

And when you put that random accident of Darwin’s on Copernicus’ spinning ball in the endless cold abysses of space with meteors that could obliterate the ball at any moment, than life is not just an accident but a cruel joke, and the joke’s on you.

Qabalah does in fact teach that as a soul incarnates into a Life Wave from the Higher Planes, he/she/it must first “recapitulate” the entire evolutionary impulse. In order to prepare to be at home in a human form (which alone is built in the image and likeness of God) he must first conquer the lower kingdoms of nature – he must become a rock, a plant, a tree, a bird, a frog, an antelope. He must swim with the fishes and buzz with the bees. The soul is building and shaping a body, learning how to control the atoms of more and more complex creatures, doing this on a subconscious level, because the subconscious mind is what is organizes your body, and this ultimately prepares for your higher mind a permanent dwelling place, a temple.

Your waking conscious mind doesn’t have to worry about pumping the heart or the compression of the lungs – these are automatic functions of the subconscious mind, thanks to this pilgrimage through the lower forms on the way to your current form.

Tarot card 18 “The Moon” is showing this in a thousand ways.

But the intrinsic difference between Qabalah and Darwin is that the evolution is happening on a higher plane, a mental plane of Platonic ideals, NOT in the realm of genes and molecules. The beautiful* patterns and colors on a peacock’s tail was designed in a mental sphere, by the will of a Designer. The animal spirit of that bird wanted a shiny tail, wanted to be a bird. And so the Creator gave it that. 

*(Remember we were talking about that central Sephiroth – “Tiphareth,” which translates to Beauty).

These “lower” forms are evolutionary dead ends. This doesn’t mean animals and plants are a mistake, because the universe is much more after the art of holistic systems than producing evolutionary perfect super-species, except when it comes to Man. We got to where we are because we were not content, on the soul level, to stay in the lower kingdoms, but listened to that soft, still voice within, the Christ Logos, the Word, that was calling us on to higher evolutionary forms – the human and super-human levels. This was man’s destiny from the beginning, the completed blueprint for each human soul was conceived in the mind of God in a split second, outside of time and space. And each soul got a taste of it before incarnating into the Life Wave; the goal being now to REMEMBER.

Posted in Astrotheology, Esoteric Symbolism, Hoaxes or Fake Terrorism, Kabbalah, Mind Control, New World Order, Occult, Secret Societies, Spirituality and Metaphysics, Tarot | Tagged , , | 10 Comments

The 42 Generations of Christ

“The Ultimate Answer to Life, The Universe and Everything is…42!”

Douglas Adams, Hitchhiker’s Guide to the Galaxy

The Key They Hid

Numbers that appear in the bible are never arbitrary. As we’ll see, the number 42 is one of these symbolic numbers. We are going to be looking at the Book of Matthew and also reading from Alvin Boyd Kuhn. To start with, 42 months equals three and a half years. And this number “three and a half” is important for the reasons we’ll see shortly. Speaking on the four ages of man as it relates to his composite being, Kuhn writes, 

“…from his head of gold (spirit) to his feet of miry clay (matter) is a four-ply creature, constituted of spirit (gold), mind (silver), emotions (brass), and sense-body (iron and clay combined), in the allegorical depiction. Higgins is indeed partly vindicated in his judgement of these element divisions as time cycles, by a mass of legendary data to be found in the opening chapters of all ancient histories of world cosmographs.  It is there said that ancient “poetic” tradition spoke of the reign in the earliest racial dawn of an Age of Innocence when mankind was childlike and knew no evil; and this is called the Golden Age. It is followed by the Age of Silver, when life grew a little less halcyon. As man came to adulthood his childlike simplicity and naivete was replaced by sterner qualities of the Age of Brass. And when finally consciousness had fully descended into the hard realism of earthly embodiment, came the Age of Iron, when the feet of the former angel race were enmired in the heavy clay of sense and body. All the books of ancient wisdom say that this full course of the descent of the soul into earthly body was consummated in three and a half cycles from angel to man, while also the evolution of the body itself from mineral to human fineness was achieved in  a similar three and a half cycles or kingdoms. Downward as soul, or upward from the clod as body, man stands exactly where his two constituent elements of god and animal have met and conjoined their powers in the middle of the fourth kingdom counted either way….”

Thus we have something like this:

I’ll meet you in the middle, my dear lost lamb….

And they twain shall be one flesh: so then they are no more twain, but one flesh.

What therefore God hath joined together, let not man put asunder.

Mark 10:8-9

Note that 3 1/2 + 3 1/2 = 7. Seven levels, like the seven colors when white light refracts through a prism.

The meeting point is at the fourth level, which Kuhn says is the reason behind Matthew’s “fourth watch of night:”

“And in the fourth watch of the night Jesus went unto them, walking on the sea.”

Matthew 14:25

The sea being the body, composed of blood which is basically salt water.

Kuhn continues,

“On the side of the natural or animal man we have here the basis of a correct interpretation for the first time of one of the most pivotal numerical symbols in scripture, the three days in the tomb. “Days” here indubitably refers to cycles, as in Genesis. The text of key significance in the bible is the verse which reads, “As Jonas was three days in the belly of the whale, so must the Son of Man be three days and nights in the bowels of the earth.

The plain meaning is that the unevolved germ of spiritual consciousness must, like a seed, be implanted in matter and evolve through the three lower physical kingdoms, the mineral, vegetable and animal, until in the middle of the fourth or human kingdom it blossoms out to full function and fruition in the organic brain of man.”

“This clarification also prepares the way at last for the epochal pronouncement that three is not after all the correct number! Three is a blind or cover for the true number which is three and a half! Evidence for this will be found in the eleventh and twelve chapters of Revelation, where the number three and a half occurs three times, though it is presented in such cryptic fashion that its true import has been missed. Animal man evolving from sea water rises to full development at the end of three and one half cycles, where it meets soul descending  through a corresponding series of three and half kingdoms of ethereal essence….”

“As the two chapters in Revelation also clearly bring out, the meaning behind the number 1260, given there twice, is that is the number of days in forty two months, or three and a half years…”

From RevelationScriptures.com:

The 42 Generations Of Christ

As Marty Leeds has pointed out, we see the number 42 popping up in the very opening pages of the New Testament, in the Book of Matthew, we have the 42 generations of Christ, from Abraham to Jesus. It’s that infamous long line of begats:

“1 The book of the generation of Jesus Christ, the son of David, the son of Abraham.

2 Abraham begat Isaac; and Isaac begat Jacob; and Jacob begat Judas and his brethren;

3 And Judas begat Phares and Zara of Thamar; and Phares begat Esrom; and Esrom begat Aram;

4 And Aram begat Aminadab; and Aminadab begat Naasson; and Naasson begat Salmon;

5 And Salmon begat Booz of Rachab; and Booz begat Obed of Ruth; and Obed begat Jesse;

6 And Jesse begat David the king; and David the king begat Solomon of her that had been the wife of Urias;

7 And Solomon begat Roboam; and Roboam begat Abia; and Abia begat Asa;

8 And Asa begat Josaphat; and Josaphat begat Joram; and Joram begat Ozias;

9 And Ozias begat Joatham; and Joatham begat Achaz; and Achaz begat Ezekias;

10 And Ezekias begat Manasses; and Manasses begat Amon; and Amon begat Josias;

11 And Josias begat Jechonias and his brethren, about the time they were carried away to Babylon:

12 And after they were brought to Babylon, Jechonias begat Salathiel; and Salathiel begat Zorobabel;

13 And Zorobabel begat Abiud; and Abiud begat Eliakim; and Eliakim begat Azor;

14 And Azor begat Sadoc; and Sadoc begat Achim; and Achim begat Eliud;

15 And Eliud begat Eleazar; and Eleazar begat Matthan; and Matthan begat Jacob;

16 And Jacob begat Joseph the husband of Mary, of whom was born Jesus, who is called Christ.

(Matthew 1-16)

<At this point you’re wondering why in the heck you picked up this book in the first place! And without the key they hid you will never know, and probably put the book down!>

The next verse then summarizes the 42 generations into 3 groups of fourteen:

“So all the generations from Abraham to David are fourteen generations; and

from David until the carrying away into Babylon are fourteen generations;

and from the carrying away into Babylon unto Christ are fourteen generations.

(Matthew 1:17)

That’s three fourteens which is a wink-wink nudge-nudge to pi: 3.14

The sequence in our number line, 13, 14, and 15 is an anagram of pi: 3.14151. The sum of 13+14+15 = 42.

Marty Leeds uses the septenary cypher to uncover some hidden gematria around these motifs as well.

That same sequence 13, 14, 15 is found in between Holy (12) and Bible (16).

As well, the bible states the the number 666 leads to wisdom. Well part of that may be that “Six” equals 14:

Thus with the phrase  “Six Six Six” we have three fourteens or 3.14, pi again.

We saw the sacred number 7 earlier with the 7 realms or kingdoms. 7 also points to pi through the same cypher:

So 42 connects to pi, and both show up cryptically in the opening pages of the bible. Pi measures cycles which could reference time. 42 mirrored is 24, as in 24 hours in a day. 42 generations, we are tracing a genealogy through time. Christ is thus a symbol for transcending time, being the beginning and the last. From 42 generations, from AB the Father (Abraham) to Jesus the Son of Man. That’s three generations of fourteen mind you, or three fourteens. And of course we saw that 42 months is three and a half years, this being a sacred number also referring to cycles or ages or even kingdoms. 

As we saw in my graphic at the beginning that’s three and a half kingdoms of travel for each half of the Originating Spirit before they reunite in human form as the celestial marriage of the lamb. One is the falling god or angel from above, the other is the rising animal-human from below. But they are BOTH YOU, the bifurcation is temporary. This may be the true meaning behind the notion of twin souls. Cain and Abel, Adam and Eve, the twin pillars, Pollux and Castor, can all be explained perhaps as modes of this. “And the twain shall be one flesh…

In the Gospel of Mark it says a man must leave his parents and cleave to his wife. That is, one must leave the spirit realm and take the dive into matter, into incarnation and the cycles of necessity.

On this merging of the two in the fourth kingdom or “fourth watch in the night,” Kuhn elaborates, “The body evolving from below thus gives soul its incarnation and divides the area of consciousness with it, sharing its sense and emotion life [water, female, Eve] with the other’s mental and spiritual powers [fire, male, Adam]….it is at this meeting point of spirit and matter, or soul and its body, that all meaning and experience-value are localized. Soul descends halfway from the summit of being and matter rises halfway from the bottom, and the two meet at the only place their energies can be synchronized and eventually harmonized, which is just exactly at the middle point in the seven levels of the gamut of being. For man this meeting point is right in his body and brain.”

Of course, this much anticipated marriage or “harmonization” doesn’t happen right away. First the upper half must wrangle the lower into submission and proper utilization. The animal side must be transmuted. According to most schools of thought, this takes many lifetimes. In Freemasonry this is the smoothing out of the rough ashlar stone to the smooth ashlar stone. The Great Work.

The Great Work once completed, to my understanding, cements the body as an anchor or fixed point in time, but frees the soul for dimensional travel. This is why Christ is a symbol of transcending time (being the end of the 42 lines). Be weary of those preaching that its best to leave behind the physical body for lofty, hazy, etheric realms in the clouds someplace. As true occultists we aim for the body as a time anchor and yet liberate the soul to enter the Kingdom of God. It’s a return to Source but WITH DIFFERENCE, now with a perfected, individuated spirit body that’s grounded to Earth, should you require it.

To put it in a sentence, the ascended masters can and do incarnate here, but are not strapped with amnesia like the rest of us who are still fumbling and bumbling along.

How is this done? Align your personal will to God’s will. Aim to aid the collective and you will become His Agent. The human-animal inside will not understand and resist this. As William Burroughs wrote, “Try to achieve even ten seconds of inner silence. You will encounter a resistant organism that forces you to speak. That organism is the word.” What he is calling “the word” and equating to a replicating virus, I am simply calling your human-animal. It is not so much the inner narrative that is the problem but that its built around self preservation and comfort instead of focusing on God’s will. Your human-animal has picked up some vices along the way and that’s OK, we all have.

Posted in Alvin Boyd Kuhn, Bible Codes, Egyptology, Energy Activation, Esoteric Symbolism, Freemasonry, Gematria, Hermetics, Kabbalah, Marriage of the Lamb, Numerology, Occult, Spirituality and Metaphysics, Time Portals | Tagged | 5 Comments

The Sirius Code (Orion and his dog, pt.2)

Addendum to PART ONE HERE, (which I suggest you read first).

In a comment to my post Orion and His Dog, (if you are new to this his dog is Sirius the Dog Star by the way), Jesse reminded me of this scene from The Truman Show, where a studio light falls from the fake studio sky: 

Falling star, fallen angel.

This being the pivotal moment that initiates Truman’s awakening to the false appearances around him. Sirius-as-Christ triggers all awakenings in like manner. 

Now, I highly recommend checking out Youtuber Lxxxvii finis temporis‘ video, who has diligently shown how EVERY SINGLE FILM of Jim Carrey’s career codes Sirius/Christ, 88, 9/11, 33, twins/mirrors/alters, and other repeating themes that weave in and out of Hollyweird.

First of all his initials are J.C.

JC in the Truman Show. Cracking the dome ceiling. The crucifixion and resurrection.

The Number 23 was all about gematria and numerology, an indispensable part of awakening:

Backwards for “23”

32 Paths in the Tree of Life diagram in Kabbalah. In the septenary cypher, the only cypher used by occultist Marty Leeds, these numbers are equally significant:

In the movie there is a dog (Sirius) named Ned following Carrey’s character around. At first he is an annoyance but soon proves to be more than just a dog – he’s a messenger for some Higher Will, and leads Carrey to the next clue.

At one point Jim says, “Ned isn’t a dog, he is a guardian of the dead.”

(like Anubis?)

Remember the dead are us, souls buried in flesh. The dog with his keen sense of smell can guide man through this incarnational night.

The name “Ned” are the hebrew letters Nun, Daleth. Nun corresponds to the Death tarot card. Daleth means “Door” so we have the doorway to death, a fitting name for an Anubis-type. Ned is Anubis or Sirius, the inner Christos, guiding man, like a hunting dog, leading him along the trail to his own inner spirit by showing him the secrets of life and death.

After being so fed up with his fixation on the number 23, his wife says to him:

Shortly after, JC is snoozing on the couch and his wife spots what he has written on his arm:

To poke fun at us “truthers” perhaps, to give a little nod to conspiracy theorists. (And in most cases to label our work as a mental illness.) And like a magic trick it provides cover for the real meat and potatoes – for example according to the MSM the only animal to die on 9/11 was a dog named, you guessed it, Sirius:

Why else the number 23? It’s also the number of chromosomes in gamete cells, sperm and egg – signaling regeneration. This is before fertilization, virgin cells. Christ is born of a Virgin. His victory is 32, the crowning achievement on the paths of return on the Tree of Life (the Last Adam). The mirror of that, 23, signals just starting out, virgin mind, the First Adam, fresh out of the animal kingdom, not much higher than say, a dog.

Ned is an anagram for “End.” Christ is the beginning and the end, the first and the last.

As you can see, Christ is the whole thing, he is the black and the white, and we see this stark contrast in the black and white fur markings on both Ned and the dalmatian who jumps up on Truman every morning throughout The Truman Show:

It seems Carrey has quite the history with dogs. He played Ace Ventura, Pet Detective, and throughout Bruce Almighty he is trying to potty-train his dog:

This is the third dog with exclusively black and white markings. 

The dog symbol, like all powerful symbols, carries a dual meaning. We have already seen the light side of the dog as guide and saviour, but throughout scripture dogs are also used to connote low-lifes, scoundrels who “return to their own vomit:”

Proverbs 26:11

“Like a dog that returns to its vomit
Is a fool who repeats his folly.”

Revelation 22:15
“Outside are the dogs and the sorcerers and the immoral persons and the murderers and the idolaters, and everyone who loves and practices lying.”

The imagery is clear. Unless one learns to be guided by the inner ‘keen-scented Deity,’ the jackal-headed Anubis, he is no better than a dog, he remains one of the walking dead.

Psalm 22:20

“Deliver my soul from the sword,
My only life from the power of the dog.”

The scene below in Bruce Almighty with Morgan Freeman as God and janitor plays up the black/white dualism as well. And to note, when Freeman asks if Bruce wouldn’t mind helping him mop up a little, Bruce replies,

“Are you Sirius?” JC asks God. Morgan Freeman nods his head.

In a way, yes, would be God’s reply. Noone goes to the Father but through the Son.

God needs Jesus’ help mopping up, cleaning house, even though, look – the warehouse is spotless and shiny already. God’s House is perfect, but he still seeks to know himself through individuated spirit atoms, (the Son). That’s us, he is asking us to help mop up a bit. Are you Sirius? Bruce thinks, in his unawakened state, I ain’t got time for dat.

But finally at the end, after his “awakening,” he picks up the mop, takes up his cross:

In closing, in Dumb and Dumber they ride around in the Dog Van:

In hebrew the letter Beth can sound like a B or V. So “Van” can be “Ben,” the hebrew word for ‘Son.’

DOG SON.

GOD SON.

Update(s)

Kenneth Grant (protege of Crowley) in his book Nightside of Eden, reminded me about this little tidbit:

And of course the word “Dog” is right there in “Dogon.” Doggonit!

But once again we see a so-called “primitive” tribe with advanced knowledge that does not make any sense through the materialist linear history lens.

Posted in Astrotheology, Bible Codes, Egyptology, Esoteric Symbolism, False Flags, Gematria, Hermetics, Hollywood Disclosure, Numerology, Occult, Predictive Programming, Secret Societies, Spirituality and Metaphysics | 9 Comments

Orion and His Dog

Somethin’ for Taurus – the strength of the bull or ox and FIXED EARTH. Fix your best timeline, anchor it here in the physical.

***

Ever since I was a child I always wondered why God was backwards for Dog. I think now I am beginning to understand why. 

The dog star Sirius has always been of great importance to the occultists behind Hollywood. Why they go through all the trouble to encode its symbolism into their films is still somewhat of a mystery, however as we trace these puzzle pieces, more of an answer will come to light.

I first caught onto this in 2019 while researching the occult symbolism in Back To The Future, where I wrote (while covering a video from Lxxxviii finis temporis), in connection with Code 88:

Screen Shot 2019-04-10 at 9.02.42 PM

Doc Brown says, “when this baby hits 88 miles per hour, we are going to see some serious shit...” Which is NLP for Sirius shit.

August 8th, 8/8 is a significant date in astrology known as the “Lions Gate Portal.” Lion because it’s in the sign of Leo. At this time the dog-star Sirius is closest to Earth…

We have LionsGate Films, and MGM which is a friggin’ lion in a type of gate or portal; it’s been roaring in our faces all this time and did we ever question why?!Screen Shot 2019-04-10 at 7.58.01 PM.png

The clock on the lower right is at 8:08.

Screen Shot 2019-04-10 at 8.59.07 PM

Their destination is OCT (8)/26 or 8/2+6 = 8/8.

Screen Shot 2019-04-10 at 7.57.27 PM

In the signposts above we see “8       395.” 395 also reduces to 8. One arrow is pointing up to the heavens, to Sirius. The other arrow points right, as in the right side of the brain, Jesus said ‘cast your nets to the right side,’ the right-hand path…etc,

Screen Shot 2019-04-10 at 8.04.54 PM

Doc Brown also has a telepathy machine, which he hooks up to his dog.Screen Shot 2019-04-10 at 8.00.03 PM

As in connecting to the dog star Sirius. 

And now its clear to me why in Harry Potter the character Sirius Black can morph into a dog:

Note: his tattoo kind of resembles the sign for Mercury, (who is Hermes, who pre-figured as a Christ figure in ancient Egypt).

Gerald Massey says that in Egypt, the ordinary year was timed largely by the inundation of the Nile river and the heliacal rising of Sirius.

So in August, in the sign of Leo we have the “Dog Days” because Sirius is closest to Earth. This is where things sat until today, the 15th of May of 2021, where I read in Kuhn’s Who is This King Of Glory, that the name “Sirius” is actually derived from “Osiris” (God, the Father). But we have the son as well, because the dog or the jackal (Anup, or Anubis) in Egypt, (sometimes in the myths he is a fox), is the “keen-scented Deity that could guide man through the darkness of incarnational night,” Kuhn writes. Sirius, as one of the brightest stars in the Heavens fit this description. God the Father incarnating as the Son (humanity), becomes lost in the darkness of flesh/sense life, but within each soul lies the (dog/fox/jackal) intuitional sense (smell), the Christ or Horus guiding them back to Source.

Anubis assisting the dead in his sarcophagus, the dead being of course the soul dying into matter, being born of flesh. If this sounds strange to you, in my post Ariadne’s Thread I outlined Kuhn’s discovery about the how the meaning of the “dead” and “death” is the exact opposite in scripture of what you think based on their exoteric meaning. Death to them meant birth into life down here, in the material realm.

Kuhn continues, “the three stars in Orion’s belt are the three Kings of the Orient or the three Magi who came to see baby Jesus…They point to Sirius who rises right after… “

The three waves on each side of this corporate logo align with the three stars of Orion’s belt. The three magi looking for Jesus, the three stars sending out that beacon signal.

Sirius X M. Sirius (Christ, or spiritual sons of God) crossed with m…crossed with Matter (the incarnation, the word-made-flesh). The Hebrew letter Mem being a glyph of water, which was code in scripture for the material realm and also the physical body itself, being mostly made of water.

So Sirius is the Hunter’s dog, Orion’s dog. Now the son or Christ as Saviour of humanity, was originally typed in folklore and myth by the ancients using animal-totem symbology. We’ve covered some of that here on this blog. The fish is Christ because it does not drown in the sea of sense life. The bull, ox and lion are Christ because of their might and strength to fight against the entropy of matter. The hybrids like Sagittarius and Capricorn represent the climb (goat) out of the animal forms and into higher domains (man, and finally super-man).

And to bring it all back around, it’s Sirius Black who rides the hybrid hippogriff in the Harry Potter series:

The bird is Christ (Horus with his hawk head) for its flight back to Heaven.

And we were talking about the Lion’s Gate, which is of course tied to the Sphinx (lion body with woman head), which traditionally guards the portal, guards the secrets.

In the hybrid form we see man followed by animal. Kuhn writes, “man is followed in evolution by the animal who will at a later day stand where he now does.” A “day” as it is used in Genesis is actually code for a full cycle or aeon of manifestation.

The animal following man is seen in tarot right away on card O, The Fool, the most important card of the whole arcana.

This relates to the Old Testament allegory in Exodus 23:11. God tells his people that when farming, to follow a seven year cycle. For six years you can till, plant and harvest the soil to your heart’s abundance – 

“But the seventh year thou shalt let it rest and lie still; that the poor of thy people may eat: and what they leave the beasts of the field shall eat. In like manner thou shalt deal with thy vineyard, and with thy oliveyard.”

Six years of harvest are the six elementary forces of the material world that we must utilize and master. The seventh year, like the weekly sabbath or day of rest, is the spiritual fire or seventh force that rules or becomes the nucleus of the other six forces. This is a common numerological motif in esotericism. It has nothing whatsoever to do with literal farming techniques.

But the important part here is that on that seventh year, men are instructed to leave the field for the poor and then finally for the wild beasts, the animals. This is the same concept as the dog who follows the Fool at his heels, who will one day stand in the place of man. Not in this aeonial cycle perhaps, but you see, at the end of each aeon the seventh spiritual force, cultivated by the creative energies in the mind of man, trickles down to the rest of nature and uplifts the lower kingdoms below it. First the poor, which are everywhere in the bible really the unawakened masses, and finally to the animals themselves, such as that they may, in the next cycle, have what it takes to ascend their evolutionary ladder.

Thus all of nature is uplifted (baptised) by the effects of the spiritual works of man, because in his brain, in the pineal is housed, temporarily, the crowning principle, the soul, which comes from outside nature. She has built for us an ark. Likewise man is uplifted (baptised) by the waters of matter, through the incarnation. Spirit and matter uplift each other and are dual mirror reflections, neither being “greater” or morally superior to the other. In God even this final great dualism is exploded.

Mother Nature prepares the way for man, so that it can be uplifted or baptised by the sons of God, the spiritual fire. The sons of God, in turn are baptised by Mother Nature; through trials and suffering in the flesh, we are evolved and strengthened.

The roadmap for this is right there in the night skies, Orion (Osiris, Father) points to Sirius (Christ, son) and “Sirius in turn points to Virgo who bears in arms the Christ child himself.” So we have the Holy Trinity, Father-Mother-Son, playing out in these two constellations, Leo-Virgo. These are the dog days of summer, when it’s hot, when the SUN is at its peak, when the Christ principle has conquered Set, Satan, the watery, wintery material realm.

Orion is a hunter; he, like The Fool is hunting for soul growth and evolution, hunting for that next, higher mountain peak (notice the fool stands on a precipice but he is still looking up). But only by going into the valley of death (incarnation) can this be achieved. Only by becoming like his dog, by spending time amongst the animals and being akin to them in body, but not in mind, could he gain in the spiritual realm. This is why Jesus was born in a manger, an animal house. This is why a manger is also called a stable, because it keeps you stable. This is why animals are so prevalent in the zodiac, the zoo-days. The dog days of summer, when Sirius, the hunter tracker, aids the Father, aids Orion in the coming of Man. And he in turn points his snout towards Virgo, where we have the birth of the Christ child. With the aid of Mother Nature as a testing ground, a proving ground, he conquers the lower ego of the flesh, the power drives, the materialism, the lusts and addictions, the anger and hate, the fear and loathing, and after much weeping and gnashing of teeth, and after many incarnations, is finally resurrected in his immortal spirit body (which, appropriately enough, we have to build here on Earth, not in the heavenly realm, which is all potential, until this is done, no fixity.)

The work has to be done here. Are you ready? Are you already doing it?

Posted in Alvin Boyd Kuhn, Astrotheology, Bible Codes, Egyptology, Energy Activation, Esoteric Symbolism, Hermetics, Hollywood Disclosure, Numerology, Occult, Spirituality and Metaphysics, Tarot | Tagged | 12 Comments

Spiritual Unfoldment Through Tarot

A video series I am putting together, here are parts one and two. This is about how tarot is used in the western mystery school training to bring about inner gnosis and lead one to higher states of consciousness.

Part 1

Part 2

Posted in Esoteric Symbolism, Occult, Spirituality and Metaphysics, Tarot | Tagged , | 4 Comments

Fossil Fuel Hoax

This is a reblog, on a very important post about where oil actually comes from. And it’s not from fossils hence not a fossil fuel. This is important because it is part of the Big Three or Four Satanic Lies that destroy all rational, sane thought.

You see, they stack their lies one on top of another like a pancake or House of Cards, with the Big Three on the bottom: (1) Globe Spinning Ball Earth, (2) Darwinian Evolution, ala random mutation and speciation with no driving or intelligent factor (and subsequent humans from apes nonsense), and the third is (3) a Vicarious Saviour in a historical man Jesus Christ rather than the Christos principle in All. (The fourth Satanic Lie emerging is the pseudo-science we call Virology)

But Globe Earth allows for random evolution to make some semblance of sense, and random evolution allows for a dumb idea like giant reptiles to fit somewhere in the brain, even though the dinosaur body could never stand that weight and bone/muscle density to gravity ratio. Everywhere reptiles have thrived on being small, light-boned and quick. But Darwinists say, “See? Species can undergo radical changes over time,” which is needed to swallow the idea of ‘transitional species,’ which have never been found.

But lots of giant lizards everywhere that went extinct in the ancient past allows for some type of way to wrap our heads around the idea that all the world’s oil supply comes from dead rotting dinosaur corpses along with other dead decayed matter, hence the term fossil fuel.

You see the amount of mind-numbing, soul-sucking propaganda we were forced to absorb as youths and carry into adulthood, without becoming a total zombie to intelligent, open-minded rational thought and a sense of spirit and wonder! For everywhere the gifts of this Plane (and oil is apparently greatly abundant, like the life blood of Gaia, if you will), are built for developing man, it’s not man randomly appearing in a hostile terrain on a spinning rock through cold and lifeless space. We are front and central, Earth has been made “fixed, immutable,” says our bibles.

And finally with the idea incepted into the mass consciousness of oil as a limited resource, they can charge a pretty penny for the stuff and initiate their oil wars and cartels, and also prop up other scams like global warming.

Here is Christian Flat Earth Ministry’s post and disclosure video links:

Fossil Fuel Hoax In our study of the flat earth it’s good to know about oil. Oil, we are told is limited and that it comes from dinosaurs and vegetation. Well, this is another lie that has been told us. Here are two videos for your consideration. Science of Abiotic Oil

Fossil Fuel Hoax — Christian Flat Earth Ministry

Posted in Flat Earth, Hoaxes or Fake Terrorism, Mind Control, New World Order, Secret Societies, Spirituality and Metaphysics | Tagged | 3 Comments

Ariadne’s Thread: The Way Out of Ritual Sacrifice and Hunger Games

Somethin’ for Aries, birth of the lamb.

In Nolan’s film Inception, Ariadne’s character, played by Ellen Page, has the role within Cobb’s group as the “architect,” or designer of the shared dream-sims. Her name comes from a Greek myth, where she is known for her red thread.

And it’s always a red thread that is used to solve a puzzle, expose a conspiracy. And in this case the conspiracy is the soul being cast down into matter itself, and the puzzle-box of man’s fleshly body.

In the greek myth Ariadne shows up when the cruel King Minos takes over and sets up a Hunger Games-type of society. There was an annual ritual where fourteen young men and women were to be cast into the labyrinth, and become victims of the Minotaur who lurked inside. They were to become Maze Runners.

But one year, a girl named Ariadne fell in love with one of the contestants, Theseus, and gave him a red thread to leave behind him as he entered the maze, which would, like breadcrumbs, lead him back out, after having conquered the beast inside. This he does, and Ariadne’s thread thus proves paramount to the young hero’s survival and victory.

Maze

Let’s look at this myth from the lense of esoteric allegory. The maze or labyrinth in mythology, according to scholar Alvin Boyd Kuhn, is another symbol of the incarnation. This is really the key to all sacred scripture: that the soul from the empyrean or Heaven or the spirit realm, is literally buried and dies here, the material realm. But like the seed into the ground, this death is only temporary, illusory. It is the labyrinth because that is where you get lost. the incarnation is also typed as the flood in scripture because this is the inundation with sense impressions, and flesh needs.

So we come down here and are lost in the maze of life. Cast adrift. Drowning. And worse, there is always a monster in the maze. The monster is a beast – typing the lower self, the lower ego that worships the material world and the animal drives, ignoring the higher self.

Ariadne’s thread allowed Theseus, having slain the Minotaur, having conquered the lower animal self, to find his way back out of the maze. By providing the solar hero with her red thread, she was giving him a reminder, like intuition, a way out of the labyrinth. To “escape” is really to achieve what Jesus called “the second birth,” having perfected one’s spiritual nature and transcended the cycles of necessity, the routine incarnations of your spirit into matter, the birth-death-rebirth cycle. The resurrection was something apart from that:

Jesus answered him, “Truly, truly, I say to you, unless one is born again he cannot see the kingdom of God.”

John 3:3 ESV

“Blessed and holy is the one who shares in the first resurrection! Over such the second death has no power, but they will be priests of God and of Christ, and they will reign with him for a thousand years.”

Revelation 20:6 ESV

When you achieve the second birth, the second death has no power, you have power over your incarnations. You will no longer be cast adrift, stuck in a dream with a bad case of amnesia:

Ariadne’s character in Inception is responsible for holding the keys and codes to the dream-world sim that Cobb’s team goes into. The shared dream state. If Cobb has those codes and acts as architect than his own subconscious nightmares and repressed shit (Minotaur) comes out and attacks. Thus Ariadne must be the architect, the designer. Only she can know the lay-out ahead of time.

Maze symbolism comes up alot in the deeply esoterically layered show Westworld:

Ritual Sacrifice

Minos the king of Crete forces fourteen sacrificial victims to the minotaur and the maze each year. In the arcane meaning of this myth it is the casting out of the gods or angels from heaven and onto earth, in other words, forced incarnation into matter. The cycle of necessity. And part of it is this unwillingness, or reluctance on the part of souls to have to fall. Thus God is typed as the evil king Minos forcing sacrificial victims to the maze. The maze of course being code for Earth. Just like Hell. Hell, Sheol, Amenta, The Underworld, the Duad, are all just symbols of our Earth, as distinct from the Heavenly Realms or the Spirit Realm. There is no shadowy underworld, in myth and scripture they are being poetic about Earth. And compared to Heaven, it IS indeed shadowy, dark and somewhat dismal, being in this heavy fleshsuit.

But the goal is to get to the heart of the maze to grow your heart in matter. We MUST come here, we MUST become lost at sea in an ark, we MUST be swallowed by a whale, we MUST be chained to the cross, the cross of Earth, with its four poles, or four elements, earth, air, water and fire.

We MUST be mummified, all this death symbolism in scripture started with the mummy ritualism in Egypt. It was not about preserving the remains, it was symbolic of the soul being wrapped in flesh (mummy) and yet not perishing. The mummy, being preserved and protected in its sarcophagus, bears safe passage through the Underworld (Earth) and achieves immortality.

So we have this arcane truth behind the myths of the Hunger Games, Maze Runner, the story of Ariadne’s Thread, but we also see again and again the perversion of these mysteries through actual human sacrifice – culturally this took on the role of the Lord of Misrule, king-for-a-day who was sacrificed to nature. This is the Jack, the Joker Jester Fool, the yearly “willing sacrifice” in pagan festival/ritual (covered in more depth HERE).

The yearly sacrifice was just supposed to be a drama showing the yearly dying of the sun during the six winter months, which is of course also the death and burial of the spiritual fire or soul of man (summer) into the material Earth (winter, death and burial). The soul is a willing sacrifice to flesh when it comes here to evolve and differentiate, through trials and tribulations in the maze, in the night, in the dead of winter.

The phoenix rising from the ashes to be born again is another symbol of this and we see it plastered all over Hunger Games, with their MockingJay, mocking us, the goyim:

One could make the argument that this misinterpretation and perversion of the mysteries is still carrying on. These splinter cults must have popped up in the ancient past that took this stuff literally and started actually sacrificing people. One of these cults, whom we call the Illuminati, took over and are still running the show today. We have modern sacrifice victims or possibly the media fictions of such, in the likes of Dark Knight Jokers: James Holmes, Heath Ledger, Robin Williams, (Philip Seymour Hoffman’s last film was MockingJay), all the murdered famous rappers and singers, the list goes on. They are telling us their story, a perverted version of the mysteries, through these Hollywood productions and then ritualistically murdering the actors of said films to show you that the symbolism extends beyond the page, the stage, the film set. Beyond the surface of the film and into how you think and process the world, it’s an enormous wing of mass mind control.

We have all the evidence coming out of children being used and abused by the industry and political moguls and gollums behind the scenes. This is all given out in the form of conspiracy, which must be pieced together by stringing together data with red thread and corkboard.

We have It, the demon in Stephen King’s novel who shape shifts into a clown (Joker) to scare children as a way to sequester the most potent form of loosh before he kills them. We have children being used in the Maze Runner to extract the antidote to the zombie virus. Their minds are plugged into a nightmare dream-sim in order to get their adrenal glands to secrete this antidote.

It eats children, the maze monster eats innocence, and it seems evil but what’s left after innocence? Adulthood – and the soul achieves growth.

God is cruel, and this is the refiner’s fire.

Don’t take any of this too seriously. This can all be read on two levels – both are real, but one is fear, and one is love.

I’m not condoning the abusers, I’m saying that it’s often those who are abused the most who evolve their soul to the greatest heights.

Ariadne wears read, the red thread. Because red is fire, spirit, as opposed to matter, water, blue. Because her thread leads man out of the maze, back to spirit. They stand between the crossings, see all the x’s on either side of their heads? xxx xxx they stand between the crossings of spirit and matter.

Even though Cobb is the leader of the group, he cannot be architect. It has to be her. Man cannot know his own future, his destiny, we have not evolved enough to see the face of God directly, it’s like staring into the sun, too bright.

But in sequential stages, like following a thin thread, mother nature (blue: see Cobb’s jacket) prepares him for that awakening. For that eventual destiny.

Mother Mary always dressed in red AND blue, because she, like Isis, is the Female Half of God, typing the Higher Self which transcends the dualism of spirit and matter, red and blue, but she also BIRTHS the son, the Christ child (soul), through matter.

Addendum: The Ellen Page Code

4/26/21

To understand why it is Ellen Page cast in the role of Ariadne, heroine with the keys to the maze, we must take a look at some of the other films she has been in.

The first isn’t a film but a video game, the hugely popular Last of Us, where her face is clearly used to model Ellie:

In the game, Ellie is the only one immune to the zombie virus (Minotaur – animal lusts, lower drives).

Check out this wiki plot from the zombie movie she starred in called The Cured:

“A plague called the Maze Virus has previously swept through Europe, transforming its victims into a homicidal, zombie like state. Ireland was particularly badly affected. A cure was later discovered, and 75% of those infected who could be captured have been treated and cured of the virus. The remaining 25% have proven resistant to the cure. The two groups are known as the Cured and the Infected. The Infected are held in captivity, despite public fears that keeping them alive could lead to another outbreak.”

Ellen Page plays Abbie, a girl who harbours one of the infected (while she herself remains immune). And just look at the name of the virus: Maze Virus!

In the recent Netflix series, Umbrella Academy, which I touched on in this post HERE, she is one of the seven psychically gifted children to come under the umbrella of the wizarldy old man (CIA pedo-handler):

You’ll notice Ellen Page’s character, Vanya is absent from that picture.

Vanya as a child

That is because as the the seventh she is the most important and thus absent from “wet ops.” She has no noticeable powers like telekinesis, but she harbours the most important power of time travel. In nature the seven over the six is a common trope, the seventh being mind or spirit, conquering the lower six animal powers, the lower six chakras, etc.

As you can see in all cases Hollywood has set up a career for Ellen Page to depict the Christ hero, the one taking the Hero’s Journey, the Fool Card of the Tarot, the Higher Mind submerging or incarnating into a body and into matter, into tangibility.

Why Ellen Page? The fact that she doesn’t age much (clone?) and is sort of gender-fluid which adds a possible trans agenda; its likely she is a groomed insider “plant” from the start.

In Umbrella Academy, one of the other boys, comes back from the future to warn Vanya:

As to why her character Vanya is the only one of them who can go back in time, one of the most shocking revelations about all this coded disclosure is their persistence on combining time travel and ritual sodomy. The dark magick here is that innocent psychic victims, mostly children are being sodomized and in addition to creating alters, are sometimes used as access portals for remote viewing the future. This is connected with Project Looking Glass and the Montauk Project.

This comes up in King’s thinly veiled, The Institute, with the precog children at the end, and of course in Philip K Dick’s Minority Report, where mutated children (above) developed precog dreams and can see murders before they happen. Precrime division is set up to exploit them. The inverted subliminal idea here is that they are a good thing, stopping future crimes, right? But in fact they are commiting crimes to obtain the data, namely the ritual trauma and abuse involved in MK ULTRA mind control.

The ends justify the means for the psychopaths in charge.

Posted in Alvin Boyd Kuhn, Bible Codes, Esoteric Symbolism, Hermetics, Hollywood Disclosure, Illuminati, Mind Control, Occult, Predictive Programming, Secret Societies, Spirituality and Metaphysics | Tagged , | 12 Comments