“Time has been tampered with by those who most desire to avoid judgement.” Bob Schlenker

“The elite have lost their immortality and given you their mind of fear of mortal death of the body.” Steve Chashar

In a commercial for DirecTV, Jon Bon Jovi sings, “We’ve got the power to turn back time! Just grab your remote and hit rewind!”

Note the Mandala pattern on the pillow above. This is a sneaky nod to CERN, which may be responsible for the Mandela effects we are experiencing.

The notion of the elite being able to turn back time via CERN was introduced to me by Donald Marshall (who else right?), but it came as sort of an aside to his main body of disclosure about cloning and Vrill. I never mentioned this tidbit about CERN here because it always sounded too ridiculous to me, and I didn’t want to muddy my blog with potential disinfo. I didn’t know what to make of it. Sure, the idea of time travel/manipulation is a common motif in Hollywood and sci-fi, but lately it seems to be ramping up. Thanks to Aug Tellez, and now researcher Bob Schlenker, I’m beginning to see how time travel themes fit into the overall disclosure hidden in media. The elite know something important about time that they are not telling us. This hidden aspect of time will be the focus of this post.

Sodomy and Time Travel Often Paired Together

Aug Tellez: “Children were trained for advanced technology research and development. While this was happening, the entire focus was to heal humanities broken timelines, literally an inter-dimensional lack of continuity that was measured here in lack of resources and stability. While one aspect of humanity was healing itself through this, a rogue group enslaved. So one side was using the tech to enslave humanity all the way out into the future and another side was bringing that back to the present and neutralizing the results so that there was a conceivable reality for humans to live in. The true shape of time, then, has multiple layers zigzagging back and forth like a dimensional ‘shuffle’….History itself was influenced through time technology and entire ages are left out. Everything that is happening now is part of a process of breaking a temporal, artificial intelligence hold on humanity which creates the same repeating loop of destruction that resets time to an earlier period. (SOURCE)”

What both Aug and Bob seem to be saying again and again is that time is malleable. Children’s minds are also malleable, which is why they are used to create portals in time. This may have been as aspect of the Montauk project. Children are strapped in and sent off into other timelines and attempt to neutralize the enemies moves. It’s like 4D chess….

As we will see, Hollywood’s hidden symbol-language often pair sodomy/pedophilia, with time travel and time portals. For example in the Bon Jovi commercial, we see an anus on the wall:

The anus is also seen in the show 12 Monkeys, all about time travel. They even sit in what could be a “Montauk chair.”

More blatant are the Hot Tub Time Machine movies.

Turn the word “TUB” backwards and now read the full title. The dark occult leverages the fact that subconsciously we process information forwards, backwards, in reverse, upside down, in quick subliminal flashes, etc. In fact the spell works even better when it operates only on the subconscious level.

If all this seems like a stretch, you have to watch Bob’s video series here and count the redundancies in the sodomy/time code, each one adding to the validity of what is being revealed.

The elite have learned that the trance/dissociative state (left-hand path ‘illumination’) achieved as a result of ritual sodomy, when done to children garners them certain abilities most of us aren’t privy to.

Aug writes, “The children that were trained to defend Humanity were then kidnapped by dark forces. We were literally kidnapped by people who had sold us out to forces that were only capable of operating in darkness by initiating enough suffering to cause a split in the mind of the individual to operate as a parasitic intelligent force that would then rerender and ‘takeover’ the consciousness of that individual.”

The same children who were saving humanity, working through the white-hats within the control structure, were kidnapped and raped and had their minds shattered via trauma based programming. And this was reflected in our world, like a fractal. What they experienced became the theme for all humanity.

Aug writes, “Everything revolves around the basic idea that this entire universe, every aspect of it, can be produced through advanced technology and a living body. Once the two are in sync, an entire simulated realm, the experiences within can be recreated.(SOURCE).”

Bob speaking about MK Ultra programmed victims: “They are helpless victims. Their supernatural abilities are exploited by their programmers and handlers. They are witches, sorcerers, wizards, and they do manipulate our reality through their ritual spell work, the pharmakeia of Mystery Babylon….our reality is being changed through the manipulation of time. Those responsibilities for it are leveraging the abilities of programmed individuals, enhanced by various technologies. The sovereign God has allowed this up to a certain limit, then no more. (SOURCE)“

Is CERN responsible for the Mandela Effect?

CERN put out a seemingly innocent video where their employees are dancing and singing along to the Pharrell Williams song, “Happy.”

But behind this innocent song and dance routine could be hidden disclosure about the manipulation of time. Bob Schlenker breaks this particular scene down in detail:

Bob: “This song and dance routine is intended to deceive and mislead. (His sign reads) ‘We are happy at CERN.’ OK, but look at the other signs. He’s got placards hanging around his necks. ‘Bond#1’ and ‘Mandela.’ His shirt has math on it which is a clue. It means do the math, solve the equation. On the wall poster there is a piece of a jigsaw puzzle. It means there’s a puzzle here. Find the pieces and put it together.

In the James Bond franchise, the first person to play bond was Barry Nelson in 1954. The orange sign says ‘Mandela.’ Do the math: Barry Nelson + Mandela = Nelson Mandela. The phenomenon that has become known as the Mandela effect is named for the former president of South Africa Nelson Mandela. many people remember that he died in the early 80’s when he was in prison. yet somehow all the evidence suggests that he got out of prison and lived until  2013. The name Barry has a homonym: ‘bury.’ Bury Nelson Mandela. because its his death and state funeral that people remember.

There is another connection here. It was also in the 80’s that there was a campaign to: ‘hang Nelson Mandela.’

And this happy guy at CERN is hanging these signs around his neck. Hang Nelson Mandela. So that’s what he’s doing. 

“We are happy @ CERN.” The @ symbol shows that he knows how to use symbols. He covers his face with it, it’s providing cover, not so much for his face but for the real meaning of whats going on. The meaning is hidden and revealed; the guy is playing peek-a-boo with the sign. A game you play with infants, now you see him now you don’t. Isn’t this the way of the Mandela effect? One day its “mirror mirror on the wall,” and the next day its “magic mirror on the wall.” Peek-a-boo. Folks, we are being mocked.

See all the piles of paper, really, who has an office like that? It’s part of the set design. Think about how the Mandela effect deals with a collection of memories, like a stack of papers in a collection of documents. Some bound, some unbound, they are in the business of shuffling memories around like documents in big piles. The sight of such a mass and the obvious potential for piles to topple over raises stress in people. this is one of the results of the Mandela effects.

The sign with the @ symbol is being moved along a path, to the side, down, covering his face, all the while his right hand is stationary, signaling ‘thumbs up.’ the relative motion of the hands highlights the contrast. This gesturing signals he’s on the left hand path, the occult Luciferian way. It also speaks of annoying that he’s not being straight up. While on one hand he’s giving us the impression that it’s all good, that we should be happy like everybody at CERN, on the other hand they are really going down the left hand path, pursuing secret and magical agendas. Their activities are subversive, cloaked for a reason. Their science is there for the operation of magicians. Our collective memories of how things were, are being messed with in a massive psyop. All the messy piles of papers have a story to tell. Are you seeing what you’re looking at here? (SOURCE)”

In another shot we see the firemen are dancing around code 33 on the fire truck:

Code 33 has multiple meanings but one of them is to signal ritual sodomy. Remember, when a child is raped their kunda lini is activated before it should be, and the coiled serpent travels up the 33 vertebrae of the spine.

At minute 3:30 in the song and dance routine we see a symbolic anus on the video game screen:

Look at the score, player 2 is getting their “ass handed to them.” They are boasting that Player 2 is us. Game over. But it ain’t over till its over, and Bob is convinced that the Most High will have the final say in this game.