A Dialogue Between Sophia and Christ in Thom Yorke’s Album ‘ANIMA’

“I read that the gnostics believe when we are born we are forced to forget where we have come from in order to deal with the trauma of arriving in this life.” – Thom Yorke

“It’s like we were watching a movie, and then suddenly we’re acting in it.” – Xanopticon


Man falling into Mom’s world

This post will analyze the lyrics behind Thom Yorke’s (of Radiohead) solo album Anima. This album is coded and loaded with deep esoteric wisdom, which can be gleaned once armed with the knowledge or the key provided by Z and our discussions. Z is an ‘insider’ so to speak, meaning he comes from a prominent ‘bloodline’ family, was thrown into the MK Ultra projects as a child, in his 20’s he traveled to India, and to Israel, was initiated into mystery schools, studied with top Kabbalists, spent 5 months meditating in silent darkness, and is very in tune with his own endogenous DMT drip. He is a brilliant man and someone we should take seriously, and if you are new to his work I suggest going back and reading blog posts PART 1, PART 2, and my commentary posts PART 3, PART 4, and PART 5. (Or simply scroll your mouse over the “Inspired by ‘Z’ tab” at the top of my home-screen.)

On a personal note, this is one of my favorite albums of all time, and I have provided Youtube links to the various songs we are going to decode. 

And finally, Z confirmed to me that Thom Yorke’s lyrics, like most popular music, was ghost written by children in the MK Ultra projects being ‘mused.’ This means that the dark forces find gifted children who can connect to the Source Field and channel/generate this material, and then the material is extracted by weaponized psychics working for the dark side. Z was used in this way as a child. He wrote almost all of Nirvana’s lyrics. He  also co-authored the Secret Space Program fictional narrative being bandied about by Archontic half-truthers like Aug Tellez, Corey Goode, David Wilcock, and basically anyone interviewed by Project Camelot or Gaia TV. 

This phenomenon of musing children to write lyrics, movie ideas, etc. is what Donald Marshall was pretending to single-handedly be for practically the entire pop music industry and Hollywood.

Without further ado…

Song: Dawn Chorus (track #4)

The whole album is a conversation between the son, the Christ principle or Christ body and the Cosmic Mother. Yorke’s soprano voice is thus a good spout-piece or conduit for both these masculine and feminine principles, anima and animus.

Verse 1 of this song is Christ talking to the Mother, or what can also be described as the Father talking to her through one of the children of Christ. Through someone who has really gripped the Father principle, is saying to the Mother, to Sophia:

“Back up the cul-de-sac

Come on, do your worst

You quit your job again

             And your train of thought”           

Her ‘job’ being to release, to let go and differentiate into the remaining souls; the process the Father started and she never finished. ‘Again’ because each cycle this happens where we lose and have to play it again.

“If you could do it all again

A little fairy dust

A thousand tiny birds singing

If you must, you must

Please let me know

When you’ve had enough

Of the white light

Of the dawn chorus

If you could do it all again”

The Christ principle is taunting her about how we have to keep repeating these cycles, so she can play out her narcissism this way, through these bodies, the ‘dawn chorus’ of vessels controlled by the One, by the Mother.

Second verse, Sophia’s reply:

“If you could do it all again

Yeah, without a second thought

I don’t like leaving

The door shut

I think I missed something

But I’m not sure what

In the middle of the vortex

The wind picked up

Shook up the soot

From the chimney pot

Into spiral patterns

Of you, my love”

‘Her love’ being the Father. But by thinking that she ‘keeps missing something,’ and going back, resetting her Matrix, she is doing the one thing that will keep her from seeing him again, her bridegroom.

Song: I Am a Very Rude Person (track #5)

The beat picks up a bit on the very next track, we lose the whimsy love story and turn to a more dark bluesy pattern. This is the Mother speaking to Christ in one of her Samael moods. Wanting to escape the process started by the Father, the Cosmic Moment.

Screen Shot 2020-02-16 at 4.27.11 PM


“Won’t bother me

You don’t mean a thing, but it won’t bother me

You don’t mean a thing, but it won’t bother me

You don’t mean a thing, but it won’t bother me”

(Mom is downplaying the importance of the Christ anomaly, and of the soul.)

[Verse 1]

“I have to find my way in the dark

(You don’t mean a thing, but it won’t bother me)

I have to take a knife to your art

(You don’t mean a thing, but it won’t bother me)

I have to find some way to escape

I have to walk but I wanna stay”

This desire for escape is Samael seeking oblivion, a way out. This is the fall, this is the root of the darkness we are up against. The parasites in power don’t want to steal your energy to use it for something, they just want to eat it for oblivion. Think about how a parasite like a leech works. They steal energy from the host until the host dies, but once their host is dead they run out of a food source and die as well. THAT’S WHAT OBLIVION MEANS. That is what the ‘Illuminati’ REALLY are, stripped of all veneer and science fiction. Leeches seeking death of the host and then death of themselves. The mistake that 99% of conspiracy theorists make is trying to find a logical reason for the game moves the so-called ‘power elite’ make on the game-board. This has them scratching their heads and debating and spinning their wheels ad infinitum. 

[Verse 2]

“I have to hope this spell’s going to break

I have to destroy to create

I have to be rude to your face

I’m breaking up your turntables

Now I’m gonna watch your party die”

Samael coming to break up the party. Party foul.

So you can see how in many of these inspired albums we have this love story between the child-become Father (activated human) and the Mother. A love story which inevitably turns sour because she goes into one of her moods, switching into her dark alters, the principalities of Samael, Lilith and Azazel, etc.

Screen Shot 2020-01-26 at 1.36.36 PMScreen Shot 2020-01-26 at 1.36.49 PMScreen Shot 2020-01-26 at 1.36.58 PM

We can’t trust her, even though we have to love her anyway, and nourish the parts of her that ARE whole, the Sophia Wisdom Goddess aspect of her, which is also coming through. It’s just that it comes with the Archonic, buzzing technoid insect-like demonism as a package deal. That’s what we came here to eat, to digest inside her, thus liberating her and humanity once and for all. It’s a package deal.

And this needs to be done by the crossing of the 150th gate. Many cycles have come and gone where we have failed to get her to finish the task. This is the last cycle, our last ditch effort to get it right.

Song: Twist (track #3)


“It’s like weed
A boy on a bike who is running away
An empty car in the woods, the motor left running
It’s like weed”

These lines are talking about what the alt media is calling “NPC’s” or Non-player characters – ‘an empty car with the motor left running…’ – bodies without souls, being played by the Mother. They grow ‘like weeds:’ it may be that there are more of them than us. The ‘boy on the bike running away’ are the children of the Father, the ones with souls, getting lost in the shuffle, absorbing the habits of the NPC’s, drowning in their frequency.

Song: The Axe (track #7)

Voice – the Christ principle, upset with Mom

[Verse 1]

“Goddamned machinery

Why don’t you speak to me?

One day I am gonna take an axe to you

The pitter patter

What does it matter?

And where’s that love

You promised me?

I’m pierced by long nails

By coloured windmills

Your soft sustaining envelope”

The ‘machinery’ of the Mother, her machinations, she won’t speak to him, Sophia is avoiding him, letting the AI run things. ‘Where’s that love you promised?’ he asks. And, ‘I’m pierced by long nails,’ you are crucifying me here, Mom. I am suffering in your world, the material world of her Matrix, her envelope.


“I thought we had a deal

I thought we had a deal

I thought we had a deal…”

He is saying, ‘remember our love letters back and forth in track four ‘Dawn Chorus’ what happened to that part of you? What happened to our deal?’

Now we have Sophia’s reply:

[Verse 2]

“You bastards speak to me

Have you no pity?

Give me a goddamned good reason

Not to jack it all in

You wooden soldiers

I’m daring you to turn yourselves on”

‘To jack it all in’ meaning to plug the children of the Father fully into the AI matrix, (the infinite shattering).

‘I’m daring you to turn yourselves on’ she is taunting us, daring us, to become activated humans. She is speaking to the people who have not awakened to the truth within themselves, too infested with the archons. She is calling us out for falling for her traps.

Song: Impossible Knots (track #8)

Voice: Lamenting Sophia

[Verse 1]

“I’m heading in the wrong direction

I can’t make the big connection

And in my line of business

There is no room for mess

[Verse 2]

I’m tied up in impossible knots”

The ‘knots’ are her MPD alters, her fixation for all her characters/clones/biobots/NPC’s) which are part of herself, they are her looking through double mirrors, infinite reflections, all tied up.

“I’ll take anything you got

I’ll take anything you got…”

A concession. She will take any of the activated, awakened humans we can muster up, as evidence that it is safe for her to dissolve, to complete the Cosmic moment. In true cosmic time, all that has actually happened is that the Father, one half of the Original State of Being, has dissolved into individuated souled humans. But its not enough.

As Elena Unger writes, “Time began nine months before the birth of Christ and ended in the same moment, but…it made, “so to speak, a great deal of noise in all directions.” 

Everything that has occurred after, all these Matrix cycles we’ve been playing out, are in dream-time, and it will fold in on itself when the Singularity hits, what is called in Kabbalah ‘the crossing of the 150th gate.’


“I’ll be ready

I’ll be ready

I’ll be ready

I’ll be ready…”

She is reassuring us that when the final gate hits she will be ready to dissolve, to finish the process and restore the Holy Matrimony. Hope to God! This is the most optimistic part of the album. But again, we can’t become complacent and trust her, she is not whole, not until all the archons are digested (which won’t fully happen by the projected date; doesn’t mean its hopeless, it just means it will be that much harder to win, in that vital threshold moment between the cycles, in the abode of souls.) William Burroughs describes archontic attack as “black insect flak stabbing at his vitality centers.” This is what we must prepare for.

Final track: Runwayaway

“We are forever
We are forever
That’s when you don’t
That’s when you know
This is when you know who your real friends are
Who your real friends are…”

This track is talking about the crucial moment that will occur when the Singularity hits, the end of the final cycle (we are in it). When it hits, we have our final chance to get Mom to dissolve, to differentiate, and it will take a crucial threshold number of awakened humans to make this happen. ‘That’s when you will know who your real friends are:’ who is working to bring about the Divine Marriage, the eternal bliss, and who is working to bring about the opposite, the Infinite Shattering. ‘We are forever,’ Yorke sings. This is true, energy is never destroyed, but how our eternity will be spent is what is on the line here. Restoring cohesion isn’t just going to happen on its own, like the New Agers maintain, we have to make it happen. Otherwise,

Obadiah 1:4 (WEB) Though you mount on high as the eagle, and though your nest is set among the stars, I will bring you down from there, says Yahweh.”  – SophiYAH.

“The wings are clipped
The bird half-cut
Gone is the one who made her home among the stars
A fall from grace
Becomes her art
Digging down
No looking up
When the riches and rewards are not enough
And all God’s children could give a fuck…” -Twelve Foot Ninja

This entry was posted in Archons/Macrobes, Artificial Intelligence, Energy Activation, Esoteric Symbolism, Gnosticism, Hollywood Disclosure, Inspired by 'Z', Occult, Spirituality and Metaphysics and tagged , . Bookmark the permalink.

8 Responses to A Dialogue Between Sophia and Christ in Thom Yorke’s Album ‘ANIMA’

  1. george says:

    One of the worst tragedies of this species is that your average blue pilled man is nothing more but a quaking mess of chemicals going off in a mammal’s brain. An automatic goo, no more than a male praying mantis, his whole purpose – being a consolidated package of energy to be sucked off for the “greater good”. All of this covered by laws, lies and illusions of individual dignity and laughable carrot of a warm-titted female savior somewhere at the end of the stick..wake up to the lie

  2. Key Lamp says:

    Can you please explain/elaborate on the thingy about the “half truthers” you mentioned? That has piqued my curiosity.
    Also, about mining kids for song lyrics/stories/whatever. I haven’t heard of this before. But it bloody triggered a memory of mine. I used to love singing songs and stuff when i was younger, particularly while sitting on my swing set. I remember being kinda freaked out and indignant when lighthouse family released their song “high” because I swear that was something I used to sing… *shakes fist at the sky* mother fucker face in the clouds watching me

    • Half-truthers AKA gatekeepers – usually are paid by the intelligence agencies to put out some truth (to entice researchers like myself) and then cover those truths in lies. These lies serve to mislead or send one down dead-end roads, or to keep one in false/limited paradigms. They are usually the first channels to pop up on youtube, burying authentic researchers/whistleblowers farther down your search feed.
      I’m not saying that everything I write is gospel truth, but the difference between me and them is that I am not trying to deceive, I am just in the process of unraveling the truth. These others I mentioned are paid to deceive, and lie 6 times before breakfast, without batting an eye. They are often sociopaths, or perhaps stuck in a compromised, blackmail type situation, or perhaps not even ‘human’ in the sense that you or I would conceive of it.
      Interesting about your song. Most children being mused are put under amnesia spells to forget that they were ever used in that way. But sometimes the programming wears off and the memories come back, like with Z. It’s funny, later on in the show ‘Locke and Key,’ we discover that uncle Duncan had his childhood memories removed via magic, and when the kids try to inform him of this, he develops severe migraines and literally can’t handle the truth.

      • Key Lamp says:

        I have always had a shoddy memory, i remember what i remember whenever I am reminded of stuff. You know, stuff triggers memories. I remember writing a comment somewhere explaining some childhood memories where I confuse realities. Convinced something happened when it didn’t, or something. Memories are easily manipulated because we are constantly influenced by our immediate surroundings and current headspace at the time. Sometimes we’re mistaken, other times misinformed. Intention is important, as is context. It’s difficult to discern where the deception originates, because again, context and that stuff. Individual personal experiences.

      • That’s been also my experience, mostly the past 10 years. We are multi-dimensional!

      • Key Lamp says:

        We are indeed. Always have been, but it’s taken so long for people to see.
        What has been your experience?

  3. Wow. I loved this post! I’ve decoded so many songs. Once your awakened it comes naturally.
    I’ve been derailed by ghost shell imposters in my past holding me hostage from my purpose, stealing essence…attempts to leave me in the trauma I’ve carried and do remember in my soul from all part cycles. Breaking free to be part of this final cycle in the unveiling is amazing 💗

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